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Sculpture Assignment 1: Anxiety

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  In Progress: Originally "Child Obesity"     In this piece, I chose to sculpt what Anxiety can feel like. It is not exactly a representation of anxiety, but as I have been struggling with this kind of stress recently, it only felt right to sculpt how it feels within. I chose to wrap a little piece of fabric around the throat to show the little character choking and grasping for release. There are four different kinds of pills in his tummy and two behind him stuck on toothpicks. This shows how desperate and reliant our society is on suppressing these feelings with medication and how they can build up and build up, always a new "solution" in the distance (the toothpicks behind the character). I chose a thin, square wooden base with age lines that radiate towards the figure, almost like he is being swept away or perhaps they are radiating away from him like the noise of screams. 
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Sculpture Assignment 2: "Thank you!"

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                In this sculpture, I chose to show the reality of male depression and mental illness in society. Especially in the past, men have been asked to "silence" their struggles and "take it like a man". I sculpted a thin male (not the 'typical beauty standard' in America) and put a 'thank you' shopping back over his head to illustrate how their emotions are covered up to make others more comfortable. Men are always expected to be the "stronger sex", even now, and must suppress their big feelings. The shopping bag acts as the man's response to society's expectation to shut up and take it. He says "okay I will try, thank you for the suggestion!" 
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  "Don't Mind the Pain" Acrylic on canvas 6"x6" "In the sand-swept sprawl of the panoramic film Lawrence of Arabia a scene of quintessential machismo stands out: T. E. Lawrence holding his hand over a candle flame until the flesh starts to sizzle. When his companion tries the same thing, he recoils in pain, crying “Doesn’t that hurt you?” as he nurses his burned hand. “Yes,” Lawrence replies coolly. “Then what is the trick?” the companion asks. “The trick,” Lawrence answers, “is not to mind.” ( Natural History of The Senses,  Ackerman, page 101) This piece is acrylic on a 6x6 canvas. I painted a hand hovering over a flame and I found this quote to be particularly interesting because it feels like a metaphor for either love or life. Love is gentle love is kind, but most of the time, love hurts. If it is good love, it hurts for the right reasons and that is a love worth fighting for. If it is a bad hurt, such as when a relationship becomes toxic and abusive (...
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